The Godfather 2 Solarmovie
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- The Godfather, Part II movie review (1974) | Roger Ebert
Agents who exchange gunfire with Rocco also appear to be using the Colt revolver. Colt Detective Special (Nickel) -. 38 Special Carmine ( Carmine Caridi) pulls his Colt snubnose when a policeman enters the bar. Colt Detective Special -. 38 Special Willi Cicci ( Joe Spinell) raises his Colt snubnose after being hit by a car. Rocco Lampone ( Tom Rosqui) also uses what is possibly a Detective Special during a shootout with agents. Agents who exchange gunfire with Rocco also appear to be using the Colt revolver. Colt M1911A1 MPs outside Frankie Pentangeli's barracks also appear to have holstered Colt M1911A1 pistols. M1911A1 -. 45 ACP. MPs with Colt M1911A1 pistols in holsters. Smith & Wesson Model 10 The Smith & Wesson Model 10 appears to be carried by NYPD officers during a shootout with hitmen after the attempted hit on Frank Pentagelli. Al Neri ( Richard Bright) also is seen with a Smith & Wesson Model 10 revolver. Smith & Wesson Model M&P Revolver -. 38 Special The Smith & Wesson Model 10 appears to be carried by NYPD officers during a shootout with hitmen after the attempted hit on Frank Pentagelli.
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And his exposition is inventive and subtle. The film requires the intelligent participation of the viewer; as Michael attempts to discover who betrayed him and attempted his assassination, he tells different stories to different people, keeping his own counsel, and we have to think as he does so we can tell the truth from the lies. Pacino is very good at suggesting the furies and passions that lie just beneath his character's controlled exterior. He gives us a Michael who took over the family with the intention of making it "legitimate" in five years, but who is drawn more and more deeply into a byzantine web of deceit and betrayal, all papered over with code words like respect, honor, and gratitude. By the film's end he has been abandoned by almost everyone except those who work for him and fear him, and he is a very lonely man. But what was his sin? It was not, as we might have imagined or hoped, that he presided over a bloody enterprise of murder and destruction. No, Michael's fault seems to be pride.
One of the men guarding the Corleone compound carries an Ithaca 37 fitted with a heat shield and bayonet lug.
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His family is killed by a Mafia don in Sicily, he comes to America at the age of nine, he grows up (to be played by Robert De Niro), and edges into a career of crime, first as a penny-ante crook and then as a neighborhood arranger and power broker: a man, as the movie never tires of reminding us, of respect. This story, of Don Vito's younger days, occupies perhaps a fourth of the film's 200 minutes. Coppola devotes the rest to Michael Corleone, who has taken over the family's business after his father's death, has pulled out of New York, and consolidated operations in Nevada, and has ambitions to expand in Florida and Cuba. Michael is played, again and brilliantly, by Al Pacino, and among the other familiar faces are Robert Duvall as Tom Hagen, the family's lawyer; Diane Keaton as Michael's increasingly despairing wife Kay; and John Cazale as the weak older brother Fredo. Coppola handles a lot of this material very well. As in the earlier film, he reveals himself as a master of mood, atmosphere, and period.
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The Godfather, Part II movie review (1974) | Roger Ebert
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Coppola was reportedly advised by friends to forget the Don Vito material and stick with Michael, and that was good advice. There's also some evidence in the film that Coppola never completely mastered the chaotic mass of material in his screenplay. Some scenes seem oddly pointless (why do we get almost no sense of Michael's actual dealings in Cuba, but lots of expensive footage about the night of Castro's takeover? ), and others seem not completely explained (I am still not quite sure who really did order that attempted garroting in the Brooklyn saloon). What we're left with, then, are a lot of good scenes and good performances set in the midst of a mass of undisciplined material and handicapped by plot construction that prevents the story from ever really building. There is, for example, the brilliant audacity of the first communion party for Michael's son, which Coppola directs as counterpoint to the wedding scene that opened "The Godfather. " There is Lee Strasberg 's two-edged performance as Hyman Roth, the boss of the Florida and Cuban operations; Strasberg gives us a soft-spoken, almost kindly old man, and then reveals his steel-hard interior.
There is Coppola's use of sudden, brutal bursts of violence to punctuate the film's brooding progress. There is Pacino, suggesting everything, telling nothing. But Coppola is unable to draw all this together and make it work on the level of simple, absorbing narrative. The stunning text of "The Godfather" is replaced in "Part II" with prologues, epilogues, footnotes, and good intentions. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. The Godfather, Part II (1974) Rated R 200 minutes about 9 hours ago about 16 hours 2 days 3 days ago
From Internet Movie Firearms Database - Guns in Movies, TV and Video Games The Godfather Part II (1974) The Godfather Part II is the 1974 crime film that was the continuation of the Corleone family saga that began with 1972's The Godfather. The film follows the path of Michael Corleone ( Al Pacino) as the head of Corleone crime family as well as traces the roots of his father Vito ( Robert De Niro) and the beginnings of the empire in the New York of the early 20th century. Francis Ford Coppola returned as director and the film would become one of only two sequels to receive the Academy Award for Best Picture. The Godfather trilogy would be completed with 1990's The Godfather Part III. The following weapons were used in the film The Godfather Part II: WARNING! THIS PAGE CONTAINS SPOILERS! Merwin & Hulbert break-top revolver In the 1917 flashback, a young Peter Clemenza ( Bruno Kirby) pulls a Merwin & Hulbert break-top revolver when he and Vito Corleone ( Robert De Niro) break into his "friend's" house to steal a rug.