Joker Film Intero
cars-2-cuevana(The grisly Milo Yiannopoulos described himself as a "supervillain" on his now cancelled Twitter bio. ) There's nothing wrong and everything right with engaging with all of this – and the "copycat" row is a red herring. But, perhaps because online aggression is difficult to dramatise, Phillips understandably wanted his film to be set in a pre-web age. Yet he cheats an anachronistic quasi-YouTube moment into his story when a video of Arthur's catastrophic attempt at standup comedy somehow emerges. (I wonder if there wasn't an earlier, contemporary-set draft of the script. ) Taxi Driver, only not as good … Joker. Photograph: Warner Bros This Joker's genesis is determinedly mature and uncartoony, compared to, say, Jack Nicholson's low-level crook Jack Napier falling into a chemical vat in Tim Burton's Batman, turning him into the Joker with white skin, green hair and a rictus grin. (The look of DC's Joker was originally inspired by Conrad Veidt in the 1928 silent classic The Man Who Laughs, a man whose face was disfigured into a grin by his father's political enemies. )
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One day, after the humiliation and despair become too much to bear, Arthur gets hold of a gun and discovers that his talent is not for comedy but violence. Phillips has already directed a film featuring a brilliant unfunny-funny figure with learning difficulties: Alan in The Hangover, played by Zach Galifianakis, that strange dysfunctional figure who mispronounces the noun "retard". I wonder what Joker would be like with Galifianakis in the lead. Well, the casting of Phoenix indicates more clearly how sexy Joker is supposed to be. There is great production design by Mark Friedberg, some tremendous period cityscape images by cinematographer Lawrence Sher, and a strong performance by Phoenix, though not his best – it is not as good as his appearance in Paul Thomas Anderson's The Master. The film holds your attention up until Joker's terrible revenge bloodbath on the subway early on, perhaps intended to echo the notorious Bernhard Goetz shooting of 1984 – although Phillips prudently makes it a non-racist attack.