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I could imagine becoming hopelessly mired in the details of the Zodiac investigation, but director David Fincher (" Seven ") and his writer, James Vanderbilt, find their way with clarity through the murk. In a film with so many characters, the casting by Laray Mayfield is also crucial; like the only eyewitness in the case, we remember a face once we've seen it. The film opens with a sudden, brutal, bloody killing, followed by others not too long after -- five killings the police feel sure Zodiac committed, although others have been attributed to him. But this film will not be a bloodbath. The killer does his work in the earlier scenes of the film, and then, when he starts sending encrypted letters to newspapers, the police and reporters try to do theirs. The two lead inspectors on the case are David Toschi ( Mark Ruffalo) and William Armstrong ( Anthony Edwards). Toschi, famous at the time, tutored Steve McQueen for " Bullitt " and was the role model for Clint Eastwood's Dirty Harry. Ruffalo plays him not as a hotshot but as a dogged officer who does things by the book because he believes in the book.

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He seems to be in reaction against the slice-and-dice style of modern crime movies; his composition and editing are more classical, and he doesn't use nine shots when one will do. (If this same material had been put through an Avid to chop the footage into five times as many shots, we would have been sending our own ciphers to the studio. ) Fincher is an elegant stylist on top of everything else, and here he finds the right pace and style for a story about persistence in the face of evil. I am often fascinated by true crime books, partly because of the way they amass ominous details (the best I've read is Blood and Money, by Tommy Thompson), and Fincher understands that true crime is not the same genre as crime action. That he makes every character a distinct individual is proof of that; consider the attention given to Graysmith's choice of mixed drink. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Fincher gives us times, days and dates at the bottom of the screen, which serve only to underline how the case seems to stretch out to infinity. There is even time-lapse photography showing the Transamerica building going up. Everything leads up to a heart-stopping moment when two men look, simply look, at one another. It is a more satisfying conclusion than Dirty Harry shooting Zodiac dead, say, in a football stadium. Fincher is not the first director you would associate with this material. In 1992, at 30, he directed "Alien 3, " which was the least of the Alien movies, but even then had his eye ("Alien 3" is one of the best-looking bad movies I have ever seen). His credits include "Se7en" (1995), a superb film about another serial killer with a pattern to his crimes; " The Game " (1997), with Michael Douglas caught in an ego-smashing web; " Fight Club " (1999), beloved by most, not by me; the ingenious terror of Jodie Foster in " Panic Room " (2002), and now, five years between features, his most thoughtful, involving film.

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December 21, 2020